September 29, 2010

Francis International Airport

In The Woods

 01. All Your Lines End In Me
02. Monsters
03. Celluloid
04. Feet Of Clay
05. Bug
06. Pipeland
07. Solaris
08. Amnesiacs
09. City Of Fog
10. Ether
11. The Art Of Unlearning 


In May Francis International Airport released the 7inch-forerunner for their upcoming album featuring the songs MONSTERS and the honestlytoogoodtobeBside Feet Of Clay. Both are striking indie-pop tunes that sweetened up our summer and were well received by critics and audiences. Now the guys finished the album "In The Woods" and it is full of catchy tunes with melancholic ambiences. "In The Woods" is definitely going to be the one of the most amazing album of the year!

HIGHLY RECOMMENDED

September 28, 2010

Engineers

In Praise of More

1. What it’s Worth
2. Subtober
3. Las Vega
4. Press Rewind
5. There Will be Time
6. To An Evergreen
7. Twenty Paces
8. In Praise Of More
9. Nach Hause

Three Fact Fader, Engineers’ second album was released last year on Kscope to widespread critical acclaim. The band now return with "In Praise of More", their new album and their first with their new line-up.
Mark Peters has moved to guitar and has been replaced by Daniel Land on bass alongside new drummer Matthew Linley. In addition to this, respected solo artist Ulrich Schnauss, who had previously played keyboards live with the band, has joined as full time member.

September 24, 2010

Belle and Sebastian

Write About Love


1. I Didn't See It Coming
2. Come On Sister
3. Calculating Bimbo
4. I Want The World To Stop
5. Little Lou Ugly Jack Prophet John
6. Write About Love
7. I'm Not Living In The Real World
8. Ghost Of Rockschool
9. Read The Blessed Pages
10. I Can See Your Future
11. Sunday's Pretty Icons

 'Write About Love' is the eighth studio album from Scottishoutfit Belle & Sebastian and their third for Rough Trade Records. Recorded in Los Angeles with producer Tony Hoffer (Beck, Air, Idlewild), the album sees the band deliver another collection of classic indie-pop songs whilst also being joined on two tracks by Norah Jones and actress Carey Mulligan.

September 20, 2010

Seabellies

By Limbo Lake
 1. Ices (death and love)
2. Orange X
3. Paper Flames
4. Young cubs
5. Board the Apartment Up
6. Sparks
7. 2571
8. Armour
9. Trans Ending
10. Sleepwell
11. Feeal It Leave
12. Smokestar 
 
 
 

From the majestic orchestration of opening track Ices (Death & Love) to the melodic balladry of stirring closer Smokestar, Seabellies' debut album - By Limbo Lake - asserts itself as a memorable record abounding in beautifully explorative, textural pop.

The gloriously atmospheric Ices (Death & Love) soars, emotes and flourishes as vivid images of icy oceans and snow's numbing sensation infiltrate frontman Trent Grenell's cry of "The world is coming / Time won't pick you up / Death and love are stunning." With swooning strings, surging guitars, militaristic drums and glistening electronic embellishments, it's an elevating introduction to the Seabellies' layered pop aesthetic, one that they're evidently skilled proponents of. Even with the insanely infectious Orange X, there's no sign of a contrived effort to gain high radio airplay, only sublime pop hooks and hypnotic grooves, and in Young Cubs' case - the sprightly encapsulation of the Newcastle-bred sextet's euphoric youthfulness and spirited ambition.

Produced by legendary Australian producer Wayne Connolly, By Limbo Lake heralds the exciting development and impressive progression of one of the country's finest young bands. Armour is another testament to the band's ambitious trajectory as hip-hop influenced verses, dreamy pop harmonies and psychedelic electro textures coalesce harmoniously.

Grenell's lyrics do, at times, appear random and nondescript as they're primarily melody-driven rather than idea-laden, but it's the dreamy landscapes traversed that are most appealing, as is the case with excellent single Trans Ending, and Sleepwell in which Grenell mourns "The ones who sleep amongst the aisles / On beds of shattered dreamless tiles will / Sleep forever / But sometimes we will miss the signs / That bend with roads in endless lines / But know how far we'll go / To put to bed the endless doubts / The money men they algebrize".

Intricately crafted pop gems such as Sleepwell reassert the band's predilection for clever melodies. Although inspired by Canadian bands such as Broken Social Scene and Wolf Parade, Seabellies' ability to fuse free-form experimentalism with idyllic hooks renders them a poignant force. With their diverse instrumentation (the band comprises two trumpeters and a saxophonist) and inspired vision, Seabellies have conveyed their broad influences and abundance of ideas in an emotionally stirring and elevating light on their superb debut album.
By Christine Lan
HIGHLY RECOMMENDED

September 2, 2010

Kordan

The Longing 


 1. Dawn
2. Shinjuku
3. Fantasy Nation
4. Tokyo Tears
5. Colours
6. Closer
7. Dream
8. Mirror
9. Hologram
10. Ghost
11. Dawn (Redux)


The Longing is essentially an elaboration of Fantasy Nation, Kordan’s first EP released July of last year.  Same bag of tricks, that is.  Dizzy, spacious sound layers over a steady beat—at the core, dance grooves with an experimentalist complex.  Where Fantasy Nation tapped the club vein, Longing searches for the abstract quality of pop music.  Listening to the album is like listening as a musician attempts to define city or love or life simply in audio.  Of course, this reads pretentious, as does any creative adventure that involves conceptual thought.  The reason I’m not harder on Kordan is simple:  despite the possible pretense, I can’t imagine the band playing any other style of music than this ultra stylized pretty.  There’s truth in purposeful cool, even if it’s easy to spot the GWBs (Girls With Bangs) and BWGs (Boys With Glasses) somewhere in the crowd.

Thanks to production magic or magic hands, “Fantasy Nation” and “Tokyo Tears” softened a bit from their EP debut:  flavors steeped, mechanics fine tuned, less thrust more lust.  Actually, compared to Longing, Fantasy Nation sounds decidedly reduced, as though Eisele and co. were practicing for grander occasions.  Such is the occasion.  Besides “Fantasy” and “Tokyo,” tracks like “Mirror” and the haunting “Shinjuku” stand out while in sum, the album remains fairly amorphous.  Eisele’s distant vocals amidst the instrumental mixed bag keep Longing interesting, but I wonder what’s next for Kordan.  Logically, the progression favors total ethereal bliss (as it is, the lyrics seem secondary), but I accept all bets.